This panel investigates how artistic projects engage hopeful chronopolitics – practices and dynamics that employ specific time-frames to engage hopeful imaginations of the present and future – and thereby navigate contentious debates that are hegemonically monitored by different forces.
Convenors:
Melanie Janet Sindelar (Central European University)
Jennifer Clarke (Gray’s School of Art, Robert Gordon University)
Maxime Le Calvé (Humboldt University in Berlin, ExC Matters of Activity)